A minute later she had returned with him to the waiting-room, where, in the thick swim of things, she saw something like the disk of a clock. "Is there an up-train?" she asked. A week later Owen Gereth came down to inform his mother that he had settled with Mona Brigstock; but it was not at all a joy to Fleda, conscious how much to himself it would be a surprise, that he should find her still in the house. That dreadful scene before breakfast had made her position false and odious; it had been followed, after they were left alone, by a scene of her own making with her extravagant friend. She notified Mrs. Gereth of her instant departure: she couldn't possibly remain after being offered to Owen, that way, before her very face, as his mother's candidate for the honor of his hand. That was all he could have seen in such an outbreak and in the indecency of her standing there to enjoy it. Fleda had on the prior occasion dashed out of the room by the shortest course and in her confusion had fallen upon Mona in the garden. She had taken an aimless turn with her, and they had had some talk, rendered at first difficult and almost disagreeable by Mona's apparent suspicion that she had been sent out to spy, as Mrs. Gereth had tried to spy, into her opinions. Fleda was sagacious enough to treat these opinions as a mystery almost awful; which had an effect so much more than reassuring that at the end of five minutes the young lady from Waterbath suddenly and perversely said: "Why has she never had a winter garden thrown out? If ever I have a place of my own I mean to have one." Fleda, dismayed, could see the thing—something glazed and piped, on iron pillars, with untidy plants and cane sofas; a shiny excrescence on the noble face of Poynton. She remembered at Waterbath a conservatory where she had caught a bad cold in the company of a stuffed cockatoo fastened to a tropical bough and a waterless fountain composed of shells stuck into some hardened paste. She asked Mona if her idea would be to make something like this conservatory; to which Mona replied: "Oh no, much finer; we haven't got a winter garden at Waterbath." Fleda wondered if she meant to convey that it was the only grandeur they lacked, and in a moment Mona went on: "But we have got a billiard-room—that I will say for us!" There was no billiard-room at Poynton, but there would evidently be one, and it would have, hung on its walls, framed at the "Stores," caricature-portraits of celebrities, taken from a "society-paper."!

Mrs. Gereth considered an instant. "Oh, the lawyers!" she exclaimed lightly. Seated there almost cosily in the reddening winter sunset, only with her shoulders raised a little and her mantle tightened as if from a slight chill, she had never yet looked to Fleda so much in possession nor so far from meeting unsuspectedness halfway. "Is he going to send them down here?" Fleda smiled again. "I haven't the least idea."

"I hardly see Mona as the 'soul' of anything," the girl replied. "But have they made no sound? Have you heard nothing at all?" "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. "Oh!" Fleda cried, with a long wail. Then she controlled herself. "I see."